Archive for May, 2008

May 30 2008

Islands @ Le National

Published by AnnA under Shows

Photo: Erik NaumannI rarely drink coffee, but while indulging in a mochaccino fix last night at a nearby cafe, I unfortunately missed The Magic, who opened for Islands in Montreal on Wed, May 28th. After the success of their first album Return To The Sea, Islands have released their 2008 follow up Arm’s Way and held the CD launch at Le National last night.

The venue was packed with an eager artsy-punk-pop crowd. The balmy indoor heat set the perfect tropical ambiance for the much-anticipated Islands show. His face covered in white make up, Nick T. opened with a gentle falsetto and continued with confident vocals throughout the show. The music was solid, danceable indie pop. Violins and horns added texture and nice layers to the sound. Most melodies were memorable, upbeat, and tight, many started off brooding and slow to develop into melancholy ballads.

At one point, curiosity got the best of her, and a girl from the audience demanded: “Explain your face!” “That’s what the bully used to say to me in grade nine: explain your face,” Nick T. reminisced, “That’s mean.” Some comments made by Nick made less sense than others. See if you can decipher this one: “ It’s great to be back. It’s like we went to the year 1959 and then came back…and nothing’s changed…in a good way.” Having limited myself to only one vodka cranberry for the whole night, my relatively sober mental faculties did nothing to help me make sense of this statement, delivered with an air of intrigue and profundity that flew far over my head.

In the middle of the set, Nick T. wished to absolve himself of guilt for not getting a birthday present for his tour manager. “On the count of three, everybody say ‘Happy Birthday!” and the audience happily followed suit.

For the encore, Islands chose a slower, gloomier number. “We’re gonna play a real downer. We’ve been really depressed lately, so we’re trying to bring you down. We’re getting there.” Some of their slower tracks took a while to get somewhere, but the catchier beats, like Creeper, were a definite fun listen.

The Islands’ second album Arm’s Way has been described as darker than the debut Return To The Sea, with slower paced tracks. Accessible, infectious, and catchy pop music swimming in a sea of slower, brooding melodies – Islands put on a feel-good energetic performance. Check the dates on their myspace.

Photos care of Erik Naumann (http://pandastrong.com/) after the jump….
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May 29 2008

Trendwhore Presents: Podcast 2, Electric Boogaloo

Published by brockmasterflex under Trendcast, MP3s, News

not brock and wes.We’ve hopefully learned from our initial mistakes with the first podcast. This one promises to be more “uh” free and coherent. If you missed our first show it was basically a run down of bands you’ll hear on the first day of Montreal’s 3rd annual Osheaga music and arts festival. This week you’ll hear some music from day 2’s line up, how fun. Now sit back relax and click play on this weeks podcast. You might discover something new.

TPC2: Osheaga Day Two [download]

Chromeo - Needy Girl
The Go! Team - Grip Like A Vice
Neil Halstead - On The Rooftops
CSS - Rat Is Dead (Rage)
Gogol Bordello - Wonderlust King
Jamie Lidell - Wait For Me
The Kills - Last Day Of Magic
The Black Keys - 10AM Automatic
MGMT - Weekend Wars
Matt Costa - Lilacs
Broken Social Scene - Major Label Debut
The Weakerthans - Virtute The Cat Explains Her Departure
Jack Johnson - Taylor

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May 23 2008

Martin Luther King, Chavez @ La Sala Rossa!

Published by AnnA under Videos, Shows

doshbw.jpgAlthough neither Martin Luther King nor Cesar Chavez made it out to Wednesday night’s show at La Sala Rossa, saying that they did makes for a damn catchy headline. It’s not completely false, either. The good people at La Sala Rossa did the next best thing to resurrecting legendary American civil rights leaders and booking them at the venue: they welcomed DOSH(opening act Anathallo) to a sparse crowd of head-bobbing enthusiasts.

Born to peace activist parents who immortalized their heroes in their son’s given name, Martin Luther King Chavez Dosh sports a first name to be reckoned with, and is more commonly known in the music community as the Minneapolis based multi-instrumentalist DOSH. Dosh performed with longtime collaborator Mike Lewis (saxophone, guitar) on May 21st at La Sala Rossa. Wednesday night’s performance left one feeling like they visited a parallel universe, perhaps a distant boisterous cousin of Four Tet, where samplers, keyboards, insane rhythms, brilliant percussion, guitar, and saxophone are looped into one mind-twisting experience.

Lewis’s saxophone murmured alongside Dosh’s synth progressions and xylophone ripples as they hopped across a playground of rhythmic samples. The harmonies were tight and focused, while at the same time ambiguous as to the direction they would take next. This music could not be predicted.

Besides being indie/electro/experimental geniuses, Lewis and Dosh are also your average friendly touring musicians. They interacted with the audience, and gave a heartfelt thank you after each round of applause. At one point between songs, an astute observer from the audience asked whether Dosh and Lewis were planning on using the clarinet that was neatly placed on the stage. Dosh replied: “Yeah, it’s a long story. We just it brought it up on stage because we needed more stuff up here to make ourselves look good.” Musical genius and a sense of humor? Who would’ve guessed.

Overcome with emotion after hearing Circles and Squares (from their 2006 release The Lost Take), one audience member found the resolve to pick his jaw up off the floor and yell: “That was fucking beautiful!”

Despite a slight glitch with the looping pedal towards the end of the show, Dosh and Lewis retained their stoic composure and explained to the audience: “Something happened that only happens once every…oh, fifty shows or so - the brand new blue looping pedal erased everything.” Enthusiastic requests for an encore did not come as a surprise. After inquiring “You guys want a party jam?” DOSH closed the set with a lively Capture the Flag.

DOSH released his fourth album Wolves and Wishes on May 13th and is currently touring across the States until the end of June. Although DOSH has become known as a solo experimental/electronic act, he is often involved in collaborations with Andrew Bird, as well as Andrew Broder (aka Fog), and is currently touring with saxophonist Mike Lewis from Happy Apple. Check out their upcoming tour dates and band info here.

For those of you who didn’t make it out to the show (entire population of Montreal minus five dozen people), you missed one sick set, boys and girls.

Photos care of Denis Rouleau (www.blindphotographer.net) after the jump….

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May 20 2008

Me and My Monkey: Beer, Germans, and More Beer.

Published by AnnA under News

mamm.jpgMe and My Monkey is so much more than a self-referring pronoun and an arguably human ancestor. An indie electronica band hailing from Tbilisi, the capital of the Republic of Georgia, MAMM consists of Sandro Chinchaladze on vocals and guitar, and Gocha Bakradze on keyboards and guitar. Chinchaladze and Bakradze formed the band in 2006 and have been recording music in their modest home studio while playing numerous gigs in cities across Georgia.

With influences ranging from The Beatles, Soundgarden, Radiohead, Sigur Ros, and Beck, to list a few, the MAMM sound combines catchy electronic beats, ambient keyboards, and electric guitar riffs with lyrics dealing with freedom, revolution, identity, and, you guessed it, love. Chinchaladze’s echoing, self-assured vocals evoke Beck meets Depeche Mode’s Dave Gahan, and lead the melody above textured synth harmonies, giving an effect of a potently filled acoustic space – a welcome concoction for indie-electronic-rock adoring ears.

Finding likely inspiration in teenage unrequited love, Chinchaladze first began writing songs at the age of sixteen. Having played drums as a teenager, he now focuses on keyboards and guitar. These days, depression and unhappiness prove to be loyal muses for Sandro’s songwriting, although he notes that: “London is the main inspiration for me after my girlfriend.” She’ll be happy to hear that she beat out the capital of the biggest British isle as the creative fuel behind her boyfriend’s melody and lyrics.

Plans for the release of MAMM’s first record Star Fucker are well underway. Until then several demo tracks are available for streaming on MAMM’s myspace page. “If you want I’ll kill myself, but leave me now, I’m fine” is a loving proposition from If You, a track that seeps melancholic sadness and recalls a barren landscape where hope is all that’s left for one to hang on to. The playfully anarchist Forever is a confident declaration of a self-aware bad-boy: “I am I am who I wanna be, I choose the way that I wanna live, I do not mind if you do not like me, I do not care if you do not want me”. The hauntingly eerie I Choose To Be talks about growing ambition in the face of social disaster, while the charming synth beats of Post Industrial Boys dance along with Chinchaladze’s whispery promises of love, sandwiched between ambiguous mentions of post-industrial boys’ subscription and reading preferences.

A moniker like Me and My Monkey begs the question of how the band came up with the name. “Someone wrote monkey on my PC on which I make music, and since there was only me and my PC when I started to make this project, I called it Me And My Monkey,” Sandro explains. An expectedly random name origin, as band names go, and fortunately, Me and My Monkey is in no way a reference to Robbie Williams’ song by the same name.

MAMM is releasing their first single It’s Coming Back and starting to record their first eleven-track album Star Fucker in one of Tbilisi’s major recording studios, Studio 1. As a result of the tumultuous political situation during the last several years, the Georgian economy has only recently begun a painfully slow recovery, which means that financial support for experimental musicians is low in Tbilisi. Two hundred dollars was the maximum amount of money that MAMM has been paid to play a concert in the city.

Besides the lack of money to be made, Sandro points out that: “It’s very hard to make live music in Tbilisi because there are no places where you can play, like pubs or concert halls, and there are no people who would like to help to promote your music.” Despite the odds, MAMM did find an eager manager from Germany. “My manager is German for example - it’s because I couldn’t find a person in Tbilisi who would have liked to promote MAMM. It makes me a little bit sad, but I would still rather have a German producer than no producer at all, “ Chinchaladze jokes. If MAMM’s manager is anything like the archetypal methodically precise and efficient German chap, he’s bound to do the band a lot of good.

Instead of griping about their unfortunate circumstances, Sandro decided to take action to improve the opportunities for indie musicians in Tbilisi. He plans on using future income from MAMM’s revenues to create a professional recording studio in Tbilisi. “I want bands like ours to be able to record theirs songs for free and to promote this kind of music in Georgia” Sandro muses.

Working hard to advance his musical career in a city that provides little support for up and coming indie musicians can be exhausting. It’s no wonder that at the end of the day, after coming home from his day job at a university run publishing house, Sandro refuels his creative juices with a cold beer, hoping that with the release of their first record in six months time, MAMM will gain the exposure it deserves on the international music scene.

Having performed at festivals in Germany (Saarbrucken and Frankfurt) and having toured extensively around Georgia, MAMM have their sights set on playing more shows across Europe. Until the release of their first record, their music can find an audience outside of Georgia on their myspace page. So quit monkeying around, have a listen, and give them a shout out to let them know you dig their tunes.

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May 19 2008

Trendwhore Presents: uh….. their first podcast

Published by brockmasterflex under Trendcast, MP3s, News

record-player.jpgI hope everyone is having a glorious long weekend. Its great to have some extra time to get things organized here at Trendwhore. Currently I’m ripping the MP3s for the Tapes N’ Tapes show back when The Habs still had a playoff run. The video didn’t come out well (and neither did The Habs for that matter). Also, expect some video of British Sea Power, The Rosebuds and Peter Moren over the course of next week. In other news we have a new contributer, her name is AnnA and she is a fantastic writer. Expect good things from her. So now onto our very first Podcast. We’ve been talking about doing a podcast for some time and finally did our test run last week. A new podcast should go live every Thursday. The first 2 shows are going to be centered around Osheaga. The first podcast will feature artists appearing at the first day of Osheaga and the second podcast will deal with artists appearing on the second day of Osheaga, how clever! Before listening to this I want to give a disclaimer, I know I say “uh” too much, I was nervous, and I promise it will stop. Please give all the feedback you can, good or bad. You can always skip my “uhs” and listen to the hot tracks. Enjoy!

TPC1: Osheaga Day One [download]

Louise XIV - Sometimes You Just Want To
Turzi - Afghanistan
Chocolat - Sois Belle
Cat Power - Living Proof
The Tom Fun Orchestra - Throw Me To The Rats
Plants And Animals - A New Kind Of Love
Duchess Says - Ccut Up
The National Parcs - Walking The Walk
Sharon Jones And The Dap Kings - Be Easy
Wolf Parade - Call It A Ritual
The Killers - Tranquilize
Iggy Pop - The Passenger

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May 19 2008

My Heart Ain’t A Bar Of Soap

Published by brockmasterflex under Videos, Shows, MP3s

manman.jpgAbout this time last month I saw Man Man and Yeasayer at Le National. I was anxious to witness a Man Man show since I missed them opening for Modest Mouse last year. They’ve garnered a great reputation for intense live shows. The stage is pure organized chaos that I wish my camera could of caputred however you can check out Pitchfork for photos of a similar show in Minneapolis. Yeasayer opened playing tracks from All Hour Cymbals with a large backdrop of computer generated acid trip, at first I thought it was a bit tacky but ended up fitting well with Yeasayer’s style. Two months earlier Yeasayer played La Sala Rossa with MGMT and you can check that show out here . Video Man Man and Yeasayer after the jump.

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May 08 2008

Tokyo Metropolitan Police Department Picks On Old People

Published by wildwildwes under Reviews

elephant-shell.jpegThe Tokyo Metropolitan Police Department was formed in 1874, and today has 42,101 sworn members, 26 boats, 14 helicopters, 951 bikes, 1,103 cars, 33 dogs, and 16 horses. They recently launched a new campaign to urge elderly drivers to give up their licenses after the accident rate involving drivers over 70 years of age skyrocketed in Tokyo by 35% while overall accident rates fell. Um….. wait….. I’m totally reviewing the wrong organization. They’re a great police department though, really, I researched them…. very thorough and ethical. More horses would be cool, though.

The subject of this review is actually supposed to be Tokyo Police Club, a band that was formed just outside of Toronto in 2005. They don’t have any horses at all, but they do have a tour bus that’s been getting a lot of use since they graduated high-school. It all started when they were invited to play at the Pop Montreal music festival. Since then, they’ve gone on to play practically every major rock music festival, from Coachella to Lolapalooza to Reading to Glastonbury, and sold out shows across the continent and Europe. Their first EP, 2006’s A Lesson In Crime, sold 30,000 copies, enough to draw the attention and acclaim of Rolling Stone, Blender, Entertainment Weekly, and more even though it was only 16 minutes long. They signed to Paper Bag Records and, while collecting fans by the Myspace-friends-page-load with their frenetic live shows and stirring up the media world with buzz, they recorded their first full album, Elephant Shell. The expectations were high when the record label announced the albums’ release date of March 25th. So much so that it was leaked early, and all of the fans had heard the album by the time it was for sale. Read on after the gap………… Continue Reading »

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